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text + movement = G.bod Theatre

G.bod Theatre is a physical theatre company based in Sydney. Formally known as Gaybod Theatre, formed by Peter Mountford & Marcella Hynes in London 1997.

Artistic Director: Peter Mountford

Join Queen Bette in the Hunter Valley this October & November

G.bod Theatre are extremely proud to be part of the inaugral season at the Hunter Valley Summer Theatre at Sobels.


Join us during our 3 week season


Tickets available here













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queen bette

“The Queen has no hour for love. Time presses, and events crowd upon her. Into a shell, an empty, glistening husk, she must give up all that a woman holds most dear.”


Many thanks to all who attended our sold-out first season of Queen Bette


Here are just a few of our reviews!


“What he and his star have done is to create a three-dimensional, fully realised woman in a richly fascinating story that plays out over a tantalising one hour solo show. The result is an absorbing yet light-hearted docudrama that brings to vivid life one of Hollywood’s pioneering greats. The real royal deal. “ Diana Simmonds, Stage Noise


“Whether you go to get closer to this important and interesting female, or to see Cronin’s astonishing performance and manifestation, just make sure you go. This is a night you won’t forget in a hurry.” Lisa Thatcher


 “Even if your interest in Davis is fleeting, this engrossing little showcase is worth seeking out.” Jason Blake, Eight Nights A Week


“Vibrant, funny, and tremendously expressive. Dynamically paced, with unexpected stylistic changes developing between scenes to keep us attentive and fascinated.” Suzy Goes See


"It’s, quite simply, the stellar transportation of an audience through a brilliant performance and you need to see it in this small, intimate venue before it is swept onto a larger stage. Rain or shine, grab a ticket if you can.” Judith Greenaway, Sydney Arts Guide


“The text is beautifully constructed. For fans of Bette Davis, QUEEN BETTE, is a must. For others interested in the source of the creative 'energies' of a great artist, too, QUEEN BETTE is a worthwhile indulgence.” Kevin Jackson, Theatre Diary


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